Constituting over ninety percent of China's population, Han is not only the largest ethnonational group in that country but also one of the largest categories of human identity in world history. In this pathbreaking volume, a multidisciplinary group of scholars examine this ambiguous identity, one that shares features with, but cannot be subsumed under, existing notions of ethn...(展开全部)

This work combines two early pamphlets by F. H. Bradley (1846-1924), the foremost philosopher of the British Idealist movement. The first essay, published in 1874, deals with the nature of professional history, and foreshadows some of Bradley's later ideas in metaphysics. He argues that history cannot be subjected to scientific scrutiny because it is not directly available to t...(展开全部)

布莱德雷（Francis Herbert Bradley，1846－1924），又译布拉德雷，是英国唯心论派（或称新黑格尔学派）最著名、最有原创性的代表。1846年1月30日出生于英国伦敦西南克拉彭的一个牧师家庭。1865年进牛津大学，1870年任牛津大学默顿学院研究员，并保持这一身份到逝世。1924年9月18日死于败血症。布莱德雷是个书斋型的学者，终生未娶。学术上，他以形而上学、伦理学、逻辑学的研究而闻名，在世时即赢得了同时代英国最伟大哲学家的誉称。代表作除本书外，还有《表象与实在》（1893）、《逻辑原理》（1883）、《伦理学研究》（1876）等。

This work combines two early pamphlets by F. H. Bradley (1846-1924), the foremost philosopher of the British Idealist movement. The first essay, published in 1874, deals with the nature of professional history, and foreshadows some of Bradley's later ideas in metaphysics. He argues that history cannot be subjected to scientific scrutiny because it is not directly available to t...(展开全部)

布莱德雷（Francis Herbert Bradley，1846－1924），又译布拉德雷，是英国唯心论派（或称新黑格尔学派）最著名、最有原创性的代表。1846年1月30日出生于英国伦敦西南克拉彭的一个牧师家庭。1865年进牛津大学，1870年任牛津大学默顿学院研究员，并保持这一身份到逝世。1924年9月18日死于败血症。布莱德雷是个书斋型的学者，终生未娶。学术上，他以形而上学、伦理学、逻辑学的研究而闻名，在世时即赢得了同时代英国最伟大哲学家的誉称。代表作除本书外，还有《表象与实在》（1893）、《逻辑原理》（1883）、《伦理学研究》（1876）等。

This completes Ed Soja's trilogy on urban studies, which began with Postmodern Geographies and continued with Thirdspace. It is the first comprehensive text in the growing field of critical urban studies to deal with the dramatically restructured megacities that have emerged world-wide over the last half of the twentieth-century.

"This learned and heavy volume should be placed on the shelves of every art historical library."--E. H. Gombrich, "New York Review of Books" "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."--Arthur C. Da...(展开全部)

Deleuze and the Genesis of Representation is a systematic study of three of Deleuze's central works: Difference and Repetition, The Logic of Sense and, with Guattari, Anti-Oedipus. Hughes shows how each of these three works develops the Husserlian problem of genetic constitution. After an innovative reading of Husserl's late work, Hughes turns to a detailed study of the conc...(展开全部)

Deleuze and the Genesis of Representation is a systematic study of three of Deleuze's central works: Difference and Repetition, The Logic of Sense and, with Guattari, Anti-Oedipus. Hughes shows how each of these three works develops the Husserlian problem of genetic constitution. After an innovative reading of Husserl's late work, Hughes turns to a detailed study of the conc...(展开全部)